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Can you tell me how he got involved with the show?īuck is on the spectrum with autism. Season two introduces a new cast member called Buck Andrews who is clearly going to be a fan-favourite from the get-go. But again, he didn't have enough agency yet to say no. I don't want to put a value judgment on it, because I think that fetishisation can be good if it truly is consensual, and it's what both parties want.
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I think fetishisation is really interesting. To me, that sex scene was a really good marker to show Ryan's growth, because I feel like at the beginning of the season, he's operating from a place of: "I'm just lucky to be here! I'm just lucky that this hot actor who's hot wants to f**k me! So he can f**k me however he wants!"Īnd through the course of the season, I think he does gain a lot more agency, to the point where he's actually walking away from a potential love interest or relationship, because he wants to be alone. "There's an exhibitionist side to me that's like, 'I dare you to look at my body.'" I think we've all found ourselves in sexual situations that we have not loved, but we don't really have the courage to find our way out of. But I thought it was really interesting to tell a story about consensual sex that you wouldn't necessarily consent to if you liked yourself more. Can you talk me through your decision to include that arc? There's a really pivotal storyline in season two where Ryan hooks up with a man who fetishises his cerebral palsy. I feel like if I had a straight actor, and I was like, "OK, so this is what anal sex is about" – I would have deleted years off my life. He was really, really easy to shoot with. So I felt familiarity with him, and comfortable. It's just really important to create that kind of visibility.Īnd Max Jenkins is a friend of mine. You're going to have to look at my body." Because it felt like bodies like mine were erased. I think there's a part of me – as much as I loathe doing it, there's an exhibitionist side to me that's sort of like, "I dare you to look at my body. Sometimes, in a same-sex encounter, it can kind of vary from being amazingly erotic,to being kind of humiliating, to being empowering, to being embarrassing, to being funny. But the reality is, sex is a lot of different things. I remember, when Girls came out, it was revolutionary at depicting the kind of bad sex that you could have. You know, I've been having sex since I was 17, not to brag, and I just feel like: why has gay sex not been portrayed the way that straight sex has?
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Can you talk me through why it's so important to continue showing gay sex like this on screen? Season one had this unforgettable scene where Ryan loses his virginity and now season two delves even further into his sex life. I don't know what else we could do with that messy bitch.
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It feels like we left Ryan in a really good place. I'm kind of ready to move on, a little bit. I actually don't really know what I would imagine for season three, because season two feels so complete to me. We caught up with Ryan to commiserate Special's premature end, and along the way, we also discussed gay sex, newcomer Buck Andrews, and why the show's success has been so affirming. That's precisely what makes this story so special remarkable, and that's also why we're finding it hard to forgive Netflix for cancelling it after just two seasons. With a script that effortlessly juggles the fetishisation of cerebral palsy with a sad version of Lil' Kim's cunnilingus anthem, Special is one of those all-too-rare shows that really does have something new and vital to say.
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"We obviously are full of emotional moments, but it's done through this 'LOL' lens," says Ryan, and that's more true than ever in season two. Now that the length of each episode has been doubled in Special's second – and final – season, there's even more space to explore the often unseen intersection between disability and queerness that this show depicts so well. And no, we're not just talking about season two's already iconic rendition of "How Many Licks?" Has a show ever been more aptly named than Special? Ryan O'Connell's semi-autobiographical story is groundbreaking in every sense of the word.